This engraving of the capture of Washington, D.C. during the War of 1812 was created by London printers J and J Cundee in 1815 and used as an illustration in an edition of Paul Rapin's multi-volume "History of England." British troops entered and burned the capital, including the White House, on August 24, 1814. Though British forces occupied the city for only a short time, they inflicted serious damage. President James Madison escaped the White House before the attack, but finished out his second term in the nearby Octagon House and a row house in "Six Buildings" complex on Pennsylvania while the White House was rebuilt.

This writing arm Windsor chair was used by President James Madison to write dispatches on August 27, 1814 in a house in Brookville, Maryland, where he took refuge after the British attack on Washington in 1814. The chair was returned to the White House in 1962, by a granddaughter of the family that had sheltered the president.

This photograph of burn marks on the White House stonework was taken by Erik Kvalsvik in 1990, during the George H. W. Bush administration. Following a two year report, the White House underwent a renovation that included the removal of approximately 30 layers of paint and took place over 25 years, from 1980 to 1996. This process revealed scarring beneath the paint, sustained when the British burned the White House during the War of 1812.

This painting by William John Huggins depicting the first naval battle of the War of 1812, with several warships seen sailing on the horizon was completed in 1816. The watercolor captures the first naval action that broke out between the United States and Great Britain when the HMS Belvidera encountered the frigates USS President and USS United States and the sloops Hornet and Argus on June 23, 1812. The USS Congress, which was also present at the engagement, is not pictured. The British were not aware war had been declared when the American ships fired upon them. The Belvidera was able to evade and escape the confrontation. This same event is captured in a different painting in the White House Collection by James Stilwell. Huggins was a British artist well-known for his marine landscapes featuring ships. Bates Littlehales photographed the framed painting in March 1962 during the John F. Kennedy administration.

This painting by William John Huggins depicting the first naval battle of the War of 1812, with several warships seen sailing on the horizon was completed in 1816. The watercolor captures the first naval action that broke out between the United States and Great Britain when the HMS Belvidera encountered the frigates USS President and USS United States and the sloops Hornet and Argus on June 23, 1812. The USS Congress, which was also present at the engagement, is not pictured. The British were not aware war had been declared when the American ships fired upon them. The Belvidera was able to evade and escape the confrontation. This same event is captured in a different painting in the White House Collection by James Stilwell. Huggins was a British artist well-known for his marine landscapes featuring ships. Bates Littlehales photographed the framed painting in March 1962 during the John F. Kennedy administration.

This painting by William John Huggins depicting the first naval battle of the War of 1812, with several warships seen sailing on the horizon was completed in 1816. The watercolor captures the first naval action that broke out between the United States and Great Britain when the HMS Belvidera encountered the frigates USS President and USS United States and the sloops Hornet and Argus on June 23, 1812. The USS Congress, which was also present at the engagement, is not pictured. The British were not aware war had been declared when the American ships fired upon them. The Belvidera was able to evade and escape the confrontation. This same event is captured in a different painting in the White House Collection by James Stilwell. Huggins was a British artist well-known for his marine landscapes featuring ships. Bates Littlehales photographed the framed painting in March 1962 during the John F. Kennedy administration.

This illustration, titled "The Fall of Washington or Maddy in Full Flight," was created in October 1814 by Samuel William Fores, also known as S. W. Fores. This British cartoon depicts the retreat of President James Madison during the invasion of Washington, D.C. by British troops in the War of 1812. Underneath the illustration is a quotation from William Shakespeare's "Macbeth." It reads, "Death of thy Soul. Those linen cheeks of thine; Are Counsellors to fear."

This 1815 aquatint engraving by James W. Steel is titled "Battle of New Orleans and Defeat of the British Under the Command of Sir Edward Packenham." Gen. Andrew Jackson, center, is seen here receiving a salute from Gen. Richard Call. Maj. Edward Livingston is pictured riding behind Jackson. In the background American soldiers are fighting British troops. Jackson would go on to serve as the 7th president of the United States from March 4, 1829 to March 4, 1837. The engraving is based on a drawing by Samuel Seymour and published by William H. Morgan.

This miniature white metal version of a life-size equestrian statue of Andrew Jackson was cast at the Philadelphia foundry of Cornelius and Baker in 1855. Sculptor Clark Mills designed the original statue, which has stood in Lafayette Park since 1853. Mills' popular statue was the first bronze equestrian statue cast in America, an ambitious project that took Mills six attempts to successfully complete. The statue depicts Jackson during his triumphal victory over the British at New Orleans on January 8, 1815, during the War of 1812. Jackson was president from March 4, 1829 until March 4, 1837. He had served in the House of Representatives and the Senate prior to his time in the White House.

This broadside cartoon of the burning of Washington, D.C. was drawn by G. Thompson, possibly George Thompson, of London in October 1814. Thompson depicts many government buildings engulfed in flame, including the Navy Yard, the Capitol, and the White House, which he refers to as the "Presedants [sic] Palace." The British burned and briefly occupied the capital city on August 24-25, 1814. President James Madison evacuated the White House prior to the attack. His term ended in March 1817, before the rebuilding process was complete.

This seascape was done by an unknown artist. The painting depicts the victory of the USS Constitution over the HMS Guerriere on August 19, 1812. The painting shows the Guerriere with broken masts and smoke and fire consuming the defeated ship.

This painting by William John Huggins depicts the first naval battle of the War of 1812, with several warships seen sailing on the horizon. The watercolor depicts the first naval action that broke out between the United States and Britain when the HMS Belvidera encountered the frigates USS President and USS United States and the sloops Hornet and Argos on June 23, 1812. The USS Congress, which was also present at the engagement, is not pictured. The British were not aware war had been declared when the American ships fired upon them. The Belvidera was able to evade and escape the confrontation. This same event is captured in a different painting in the White House Collection by James Stilwell. Huggins was a British artist well-known for his marine landscapes featuring ships.

This watercolor painting on ivory of Richard Henry Shaw was done by an unknown English artist. Shaw was a member of the King's Own Royal Regiment (Fourth Regiment of Foot) and participated in the invasion of Washington in 1814.

This painting of ships engaged in a broadside at the beginning of the War of 1812 was done by James Stilwell. The painting depicts the first naval action that broke out between the United States and Britain when the HMS Belvidera encountered the frigates USS President and USS United States and the sloops Hornet and Argos on June 23, 1812. The USS Congress, which was also present at the engagement, is not pictured. The British were not aware war had been declared when the American ships fired upon them. The Belvidera was able to evade and escape the confrontation. Someone penciled in the names of the respective ships and their commanders over the painting. This same event is captured in a different painting in the White House Collection by William John Huggins.

This painting by Tom Freeman for the White House Historical Association shows the burning north and west facades of the White House when it was set aflame by the British soldiers on August 24, 1814 during the War of 1812. British soldiers can be seen in the foreground. It was commissioned during George W. Bush's presidency, but depicts events that occurred during James Madison's. ***Interior use only for publications***

This portrait of Richard Henry Shaw is in the form of a pendant and was done by an unknown English artist. Shaw was a member of the King's Own Royal Regiment and participated in the invasion of Washington in 1814.

This aquatint engraving by William Strickland shows the White House in the aftermath of being burned by the British on August 24, 1814 during the War of 1812. The engraving is based on a George Munger watercolor.